Bloc 10 Housing, Winnipeg, Canada by 5468796

Bloc_10

by Trevor Boddy / The Architectural Review / Published in November 2012

The question of affordable housing lurks, the recurring bad dream of contemporary architecture. The difficulty of building dwellings simply and well imparts a night terror to many of us, and we are unable to deny its sepulchral truths in the days that follow.  The Art Nouveau era—much like the similarly sinuous boom of the last decade—were times of splendidly urbane apartment blocks, or villas in city or countryside brimming with lush ornamentation and restless surfaces.

But at the end of the First World War, the profession turned as one (in Continental Europe, at least, where destruction was most concentrated) to the problem of affordable housing.  Whether the German debate about existenzminimum, Le Corbusier’s speculations about the house as a “a machine for living,” to the prototypes, both good and bad, tested at Stuttgart’s 1927 Wiesenhofsiedlung, new housing forms to repair a blasted Europe were the heart of the Modern project.

Half a decade into this global recession, there is scant evidence of the profession rising from its fluffy bed of Aestheticism Nouveau to again confront the creation of mass housing that people can actually afford. In Canada, au contraire bien-sur: Frank Gehry’s recent presentation of a staggeringly dense cluster of three calypso-ing condo towers for Toronto’s Mirvish family; a Foster’s team under Nigel Dance opening Vancouver’s muddled Jameson Tower (amazingly, the mega-firm’s first constructed high rise apartment building); and in the same city, BIG from Read More